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Xcèntric 2022

Creation is a political protest. The cinema of Djouhra Abouda and Alain Bonnamy

Audiovisuals

A portrait of the life of Algerian immigrants in Paris, Ali au pays de merveilles is a legendary work of avant-garde essayist cinema that has been out of circulation for many years but has now been restored by Immagine Ritrovata in Bologna. Experiences of oppression, misery and racism are filmed by means of energetic, plastic clashes between images and sounds in a musical montage that composes a novel, different and radical form of urban symphony: the city as a place of exploitation and biopolitical violence.

The creative couple made up of Djouhra Abouda, a singer, and Alain Bonnamy, a painter, formed part of the founding group of the Paris Film Coop. Their first two short films entered the canon established by Peter Kubelka in Une histoire de cinéma at the Pompidou, but Ali au pays de merveilles was rejected for its "aesthetic deviationism" (Bouhours). As Federico Rossin notes: "the pure, hard-core experimentalists couldn't accept the film's devastating political force".

Today the cinema of Abouda/Bonnamy emerges with the force of definitive gestures of rupture and non-acceptance, capable of harmonising ideological and sensorial form. Ali au pays de merveilles is one of those films that has helped to rewrite the History of Cinema passes, as Nicole Brenez states: "I can't help thinking that if these films - among others - had been seen immediately as the classics they deserved to be, their presence would have changed the history of forms and even the perception of collective history".

Algérie couleurs, Djouhra Abouda and Alain Bonnamy, France, 1970-1972, 16 mm, 16'.

Ciné Cité, Djouhra Abouda and Alain Bonnamy, France, 1974, 16 mm, 15'.

Ali au pays des merveilles, Djouhra Abouda and Alain Bonnamy, France, 1976, 16 mm, 60'.

Digital projection. Copies from Thalita Distribution (talitha3.com)

Directors: Djouhra Abouda, Alain Bonnamy

This activity is part of Xcèntric 2022

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