Sonia Gómez Vicente

Her findings are exhibited as multidisciplinary montages, traversing a wide range of languages, aesthetics and references.
A body of work whose thematic axis is the construction of identity, but also the discovery of social impostures by means of art, and the impostures of art by means of performance, which, in the case of Sonia Gómez, are public, open, social acts. This variety of materials, from different sources and disciplines, coherently and playfully explores a body of work that is also complex and sophisticated. Friction, ever present in her work, is perfection and imperfection, between the real and the fictitious, between representation and experience.