Skip to main content

Xcèntric. 2009-2010

DEL ÉXTASIS AL ARREBATO (FROM ECSTASY TO RAPTURE)

Session 2. APPROPRIATIONS / BIG SUPER-8

Audiovisuals

This session presents a series of pieces in super-8, a format that was created in 1965 and is still used today, and others from the subgenre of found footage film. Some of the works combine the two, such as For/Against, by Eugènia Balcells, or Súper 8, by David Domingo. This programme establishes a dialogue between filmmakers from different generations: those who formed part of this avant-garde incursion into the field of experimental cinema based in Barcelona, Madrid and Valencia in the 1970s (spearheaded by Eugeni Bonet, Juan Bufill, Manuel Huerga and Eugènia Balcells) and the new generation to have emerged since the late 1990s.


 


For/Against, Eugènia Balcells, 1983, video, 3 min.


Minnesota 1943, Toni Serra, 1995, video, 7 min.


Alice in Hollywoodland, Jesús Pérez-Miranda, 2006, video, 7 min.


Súper 8, David Domingo, 1997, video, 7 min. 30 sec.


Bloodfilm, Marcel Pey, 1975, video, silent, 2 min. 30 sec.


Roulette Wheel, Luis Cerveró, 2005, video, 2 min.


Signaturas (síntesis), Juan Bufill, 2008, video, silent, 6 min. 30 sec.


I Love You Because, Lope Serrano, 2007, video, 2 min. 45 sec.


22arroba, Maximiliano Viale, 2008, video, 4 min.


Photomatons, Eugeni Bonet, 1976, video, 3 min


A escala del hombre, David Reznak, 1991, 8 min. 30 sec.


Copy Scream, Oriol Sánchez, 2005, video, silent, 2 min. 20 sec.


Brutal Ardour, Manuel Huerga, 1979, video, 15 min.


 


With the presence of the filmmakers Maximiliano Viale, Juan Bufill, Oriol Sánchez, Marcelo Pey.


 


 

Related contents

You might also be interested in

Serielizados Fest 2024

11th International TV-Series Festival of Barcelona

Organised by

Collaborators