Feminist Film Manifestos
Feminist Film Manifestos II
International Women’s Film Festival at the CCCB
Audiovisuals
Free
Feminist Film Manifestos II continues the conversation started in year one by taking a journey through works which, from different viewpoints, have given cinematographic form to the debates surrounding the different types of feminism in the latter half of the 20th century and up until the present day.
Many of the materials chosen this year were, at the time of their production and release, explicit disruptions of the industry’s standardised models of femininity, and some have become icons and benchmarks, examples of a critical filmic practice that characterises feminist audiovisual representation.
The concept of manifesto as a declaration also provides the theme of the debate that forms part of the programme, including the intervention of the lecturer Elena Oroz.
Thursday 10 November
Screenings 7.00 - 8.30 p.m.
Home Movie, Jan Oxenberg, USA, 1972, 12 min.
Syntagma, Valie Export, Austria, 1983, 20 min.
Thriller, Sally Potter, GB, 1979, 34 min.
Friday 11 November
Screenings 7.00 - 8.30 p.m.
Estimada (vida) diària, Marga Almirall, Spain, 2016, 10 min. Premiere! Attended by the filmmaker!
Daughter Rite, Michelle Citron, USA, 1979, 53 min.
Encuentro entre dos reinas, Cecilia Barriga, Spain, 1991, 14 min.
Saturday 12 November
18.30-21.30
Talk “Sometimes you have to make up your own story” by Elena Oroz (film programmer and critic, lecturer at the Carlos III University, Madrid)
Screenings
Peaceful Warrior, Tabita Rezaire, South Africa, 2016, 6 min.
The Watermelon Woman, Cheryl Dunye, USA, 1996, 90 min.
Digital screening / Original version with Spanish subtitles
Participants: Elena Oroz
This activity is part of Feminist Film Manifestos
Related contents
Dear daily (life)
Soy Cámara online
Script, direction and production: Marga Almirall Language: Catalan, Spanish Duration: 10 min 28 seg Synopsis: Synopsis: From childhood and adolescent diaries to video blogs on YouTube and visual diaries on Instagram: a short journey through the self-representation of women of the millennial generation.
